#2 — The Card from the End of That Night

There’s only one photocard from this moment.

There’s a photocard that stops you the second you see it. Not because of the pose. Not because of the expression — though both are unmistakably Wooyoung, and that alone says enough.

ATEEZ ZERO : FEVER EPILOGUE MAKESTAR Photocard

It’s the background.

A grey sky. An open runway. The kind of stillness that only exists right before something moves.

If you’ve seen Turbulence (야간비행), you already know this place. And if you've watched ISAC — specifically the track events — or Kingdom, you know exactly why it was Wooyoung standing there.

He’s the fastest. The form, the line, the way he cuts across space — it’s unmistakable. When someone had to run that runway, there was never really a question.

According to the MV making film, filming ran from 2am into the morning. So this moment may have been captured right as the night finally broke.

Wooyoung — after hours of running in the dark — turning toward the camera in that first light. Same runway. A completely different kind of stillness.

Late 2021 was when everything began to shift. Kingdom had just ended. Mingi had returned. All eight of them stood together again.

Sales were rising. The world was starting to pay attention in a way it hadn’t before.

ATEEZ were about to take off — and somehow, they were filming Turbulence (야간비행).

It’s the kind of song that finds you at 2am and refuses to let go. “듣고 있나요” — is anyone listening?

At the time, it didn’t feel like a hit. But Turbulence found its people. Now it’s spoken of the way only certain songs ever are.

Wooyoung himself has said it’s the song he loves the most.

And as far as anyone knows, this is the only photocard from that shoot.

That runway. That night.

One card. Nothing else like it.

If this moment means something to you, you already know.

The photocard is listed in the shop.
🔗 tsumiato.com/products/ateez-zero-fever-epilogue-makestar-photocard